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Marvel : Les Agents du SHIELD
#207 : La mémoire dans la peau

Pendant que May s'occupe de la poursuite de Ward, Skye surveille Coulson. En effet, le directeur a des crises de plus en plus souvent et de façon plus intense. Quand un tueur gravant les mêmes symboles sur le corps de ses victimes est détecté, Coulson sent qu'il doit se souvenir des choses qu'on lui a fait oublier...

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4.75 - 8 votes

Titre VO
The Writing on the Wall

Titre VF
La mémoire dans la peau

Première diffusion
11.11.2014

Première diffusion en France
08.11.2015

Vidéos

Promo (VO)

Promo (VO)

  

Sneak Peek 1 (VO)

Sneak Peek 1 (VO)

  

Sneak Peek 2 (VO)

Sneak Peek 2 (VO)

  

Promo 2 (Vosfr)

Promo 2 (Vosfr)

  

Promo 1 (Vosfr)

Promo 1 (Vosfr)

  

Photos promo

Leo Fitz (Iain De Caestecker) et Mack (Henry Simmons) dans le laboratoire

Leo Fitz (Iain De Caestecker) et Mack (Henry Simmons) dans le laboratoire

Les agents Fitz (Iain De Caestecker) et Mack (Henry Simmons)

Les agents Fitz (Iain De Caestecker) et Mack (Henry Simmons)

Jemma Simmons (Elizabeth Henstridge)

Jemma Simmons (Elizabeth Henstridge)

Hank Thompson (Joel Gretsch) est captif

Hank Thompson (Joel Gretsch) est captif

Hank Thompson est retenu prisionnier

Hank Thompson est retenu prisionnier

Sebastian Derik (Brian Van Holt) retient prisonnier un homme

Sebastian Derik (Brian Van Holt) retient prisonnier un homme

Alphonso

Alphonso "Mack" Mackenzie

Diffusions

Logo de la chaîne W9

France (inédit)
Mercredi 24.02.2016 à 21:00
0.67m / 2.6% (Part)

Logo de la chaîne ABC

Etats-Unis (inédit)
Mardi 11.11.2014 à 21:00
4.27m / 1.5% (18-49)

Plus de détails

Ecrit par : Craig Titley.
Réalisé par : Vincent Misiano.

Invités :
B.J. Britt – Triplett
Adrianne Palicki – Bobbi Morse
Henry Simmons – “Mack,”
Imelda Corcoran – Dr. Goodman
Simon Kassianides – Bakshi
Joel Gretsch – Hank Thompson
Monica Lacy – Katie Thompson
Monique Gabriela Curnen – Janice Robbins/ Agent Stevens
Bruno Amato – Bartender
Carlos Campos – Patient #2
Michael Hanson Seaver – Patient #4
Natalie Smyka – Patient #5
Richie Cottrell – Fils d'Eliza
Madison Lee – Lab Assistant
Brian Van Holt – Carver/Sebastian Van Holt

Captures

Previously on "Marvel's Agents of S.H.I.E.L.D."…

STREITEN: You were dead for... days.
SIMMONS: "GH-325." Agent Coulson was injected with that, and literally minutes later, his wounds showed signs of cellular regeneration.
RAINA: I'd like to turn the machine on again. It induces Theta brain-wave frequencies to help uncover the secrets buried in the subconscious.
COULSON: Please! Let me die !
SKYE: When did you start doing this ?
COULSON: First night I saw Garrett's writings.
SKYE: What do you think caused it ?
COULSON: The GH-formula.
SKYE: This is what you've been doing up here.
COULSON: It's what I did yesterday. No matter how much I carve, it still means nothing to me. I don't even have a theory.
SKYE: I do. It's a map… You're being transferred. Your brother wants you in his custody.

RHINEBECK, NEX YORK

A couple returns home.

WOMAN: Burning man, two years ago, we were stuck in the desert... on a glow-in-the-dark bus. Is that it ?
MAN: What's burning man ?
WOMAN: Oh. Are you sure you're not from Iowa ? Because you just sounded like it.
MAN: Baltimore, born and raised.
WOMAN: This is gonna drive me nuts. I mean, it's crazy, right ?

She goes into the kitchen to serve two glass of wine.

WOMAN: We see each other from across the bar, and... we just wave at each other like we're long-lost friends.

She returns with the glasses.

WOMAN: I know I know you. I just can't figure out how.
MAN: To remembering… So, you're an artist.
WOMAN: Mm, yeah, I do some painting. And I teach community art classes. Is that how I know you ? Are you an artist ?
MAN: I do some carving now and then. 
WOMAN: Well, maybe the reason we think we know each other is because it was our destiny to meet tonight.
MAN: Look... I haven't been entirely honest with you. We have met before, and I've traveled a long way to be with you.
WOMAN: Okay. Maybe we should just slow this down.
MAN: No. We share so much ... so many memories... so much pain.

He opens his shirt to show his tattoo.

WOMAN: How ... how ... how do you know about that ?

He pulls out a knife.

MAN: I'll help you remember.

She scream.

COULSON’S OFFICE

Coulson is spirit to burn on the wall listening to jazz when the blade of the knife breaks.

COULSON: Damn it.

Skye cut the music.

COULSON: How long were you standing there ?
SKYE: Long enough. May gave us specific instructions ... you go on a date with the crazy wall, I have to chaperone.
COULSON: I didn't want to wake you.
SKYE: Do I look like I've been sleeping ?
COULSON: What's keeping you up ?
SKYE: It's all connected ... everything. Ward has information about my father, who just happens to have the alien buzzkill device, which is somehow connected to the writing, that is related to the G.H. serum that is in our blood ... like we're pieces to a puzzle.
COULSON: Except we don't know what the puzzle is or how the pieces even fit.
SKYE: It's a hacker's worst nightmare, everlasting gobstopper of firewalls.
COULSON: It wants us to know. I can feel it.
SKYE: Then it... should tell us, because I have been trying to match the writing to constellation maps, navigational charts, genome diagrams. And if it's a map, it's a map to nowhere.
COULSON: I need you to stick with it. The writing's coming more and more frequently. Used to be two, three times a month. Then once a week. Now it's every day, every night. I can't turn it off.
SKYE: How do you function ? When do you sleep ?
COULSON: That's why we need answers.
SKYE: And what if we don't find them ?
COULSON: Anything else ?
SKYE: When does May get back ?
COULSON: Not until we find Ward.

SHIELD’S BUS

May is in control, it is in communication with Bobbi.

BOBBI: This is Morse. I have agents positioned at multiple locations. We have been sitting here for an hour.
MAY: He has 11 hotboxes within 200 miles of his last known position. Odds are, he'll show up at one of them.
BOBBI: Why isn't there a nationwide manhunt? He escaped from federal custody.
MAY: Senator Ward is covering it up. No one's looking but us.

PHILADELPHIA, PENNYSLVANIA

Ward enters a station. Trip is on site.

TRIPLETT: Triplett here. I've got eyes on the prize. I've got a clear shot and a trigger finger that needs some love.
MAY: No. Stand by and wait for your orders.

Word retrieves a bag in a locker.

TRIPLETT: Director, say the word. I can end this.
COULSON: The senator wants him alive.
MAY: What do you want ?
COULSON: Bring him in... by any means necessary.
TRIPLETT: Copy that.

Tripp will take his gun, but Ward was spotted and he discreetly opened his jacket to show her explosive and the detonator in his hand.

TRIPLETT: Damn. I don't know how, but he knows we're on him. He's got a dead man's switch and enough C-4 to take down the block...  He's on the move.
COULSON: Do not engage. He's not bluffing. Keep an eye in the sky, May. Have Agents Hunter and Morse in position at the next stop. If we can't bring him in, at least we can see where he's going.

Skye arrives.

COULSON: We found Ward. What ?
SKYE: One of my sources, this guy micro ... he's kind of a crime-scene junkie ... he came across something. The writing, but not exactly how we wanted to see it.

He watches the tablet is seen the photos of the body of the woman. It has engravings on the body.

COULSON: When were these taken ?
SKYE: Last night. Whoever did this is still out there.
COULSON: This is the victim ?
SKYE: Janice Robbins. Lives ... lived in upstate New York.
COULSON: She's a S.H.I.E.L.D. agent.
SKYE: No, she's an art teacher from Iowa. I have her full bio.
COULSON: I'm not wrong. I've seen her. We should check it out.

ROBBINS'S APARTMENT

SKYE: You know we're breaking about 14 laws right now.
COULSON: One of the perks of being outlaws.
SKYE: This had to happen on my shift ? You couldn't wait till May got back ?
COULSON: May's got her hands full with Ward. And we're the only ones who know what we're looking for.
SKYE: What are we looking for ?
COULSON: Answers.
SKYE: You're right. This place just screams S.H.I.E.L.D. agent. You two don't have a single thing in common, unless you have some Enya albums you've been hiding.
COULSON: No. Nothing in common at all.

Coulson discovered several paintings, all representing the engravings.

SKYE: I take that back.

COULSON’S OFFICE

Coulson assemble pictures of paintings.

COULSON: There's a lot of overlap. We were definitely working on the same design, but she has some pieces I was missing.
SKYE: How does the carving we found in Miami fit into this ?
COULSON: Whoever did it was on our wavelength. There's just a few pieces missing. It's almost there.
SKYE: You were right. She's a S.H.I.E.L.D. agent. Agent Rebecca Stevens, level 6. Stationed at the Triskelion.
COULSON: That's probably where I saw her.
SKYE: Not recently, you didn't. According to this, she died five years ago from cancer. How is that possible ?
COULSON: We won't know until we perform an autopsy.
SKYE: Don't you need a body for that ?

Mack and Fitz raise the body on the lab table.

SKYE: How'd you two manage to acquire a body ?
FITZ: "Corpsey diem" ... seize the dead.
MACK: Huh. Like I told my man here, you want something in life, you got to grab it and walk out like you own it.
SIMMONS: Is that all it takes ? Really ? Because I always thought if you wanted something in life, you had to work hard and earn it. Give me some room, please.

She opens the body bag.

SIMMONS: Does she have any family ?
SKYE: No one. No relatives, no kids.
COULSON: She didn't deserve this.
SKYE: Is anything coming back to you ?
COULSON: She was level 6. It should all be in my head. But it's not.
SIMMONS: We're going to need blood and tissue samples, full CBC, and multi-element analysis. Would anyone like to leave before we get started ?

Mack, Fitz and Skye raise their hands.

COULSON: We'll stay out of your way.
SIMMONS: I'll let you know when I finish.

ATLANTA, GEORGIA

Ward down a bus. He looks around and goes to a woman alone with her son.

WARD: Need some help with those ?
ELIZA: I'm okay.
WARD: It's no problem, really. I promise ... I don't bite. I'm Zack.
ELIZA: Eliza. This is Graham.
WARD: Hey, Graham. So... want to give me a hand with this ?
GRAHAM: Sure.
WARD: Alright.

They catch the bag.

WARD: Looks like you don't need my help after all. Graham here is doing all the heavy lifting. You mind if I tag along with you anyway ? Where you heading ?
ELIZA: Dallas.
WARD: Must be fate.

In the bus. Eliza and Graham settled.

ELIZA: Here you go, sweetie. Thank you. You're a real savior. Join us for the ride ?
WARD: I prefer the back.

He advances towards the bottom and then will stop.

WARD: Excuse me. Is that seat taken ?
BOBBI: All yours.
WARD Thanks.

He put his bag.

WARD: Don't like to fly, huh ?
BOBBI: Excuse me ?
WARD: I never understood why people would take the bus when they can fly.
BOBBI: Says the man on the bus.
WARD: Uh, last-minute trip. Didn't have a choice. You here by choice ?
BOBBI: Oh, I like the scenery. Can't see the world with your head in the clouds.
WARD: Can't see it with your face in a book, either.
BOBBI: It's a long trip. There's plenty of time for everything.
WARD: Well, you could just skip to the end.
BOBBI: And miss all the good parts in between ?
WARD: Can't be that interesting.
BOBBI: Why do you say that ?
WARD: Because you were on page 117 when you were waiting outside. And you're still on page 117. So either you're a really slow reader... or you're working for Coulson.
BOBBI: Who ?
WARD: I am impressed. You can tell him I said that. I almost missed you.
BOBBI: What are you talking about ?
WARD: I'm sure they told you about this. If you try or say anything... everyone in this bus will be flying. So, just keep reading your book and hope for a happy ending.

The doors close.

WARD: Driver.
DRIVER: Yes, sir ?
WARD: I'm on the wrong bus. Guess I, uh... need to pay closer attention to things.

He goes down and takes over another bus.

WARD: Sorry. Had to get rid of some excess baggage.

Bobbi is outside.

BOBBI: You were right, May. He's good. Very good. Hunter, if you're in position, he's all yours.

Hunter and the same bus as Ward, few places behind.

HUNTER: Copy that, darlin'. Happy to oblige.

PLAYGROUND’S LAB

SIMMONS: The cuts were all quite deep, but the cause of death was cardiac arrest. She died from shock due to the pain, not from the wounds. Very common in this type of ritualistic murder.
SKYE: Ritualistic ?
SIMMONS: It has all the characteristics. The cuts are very precise, and the killer continued to carve on her long after she died, as if there were some need to complete the work. My hunch is that it wasn't the first time, either. It's also not the first time we've seen these carvings. They're the same ones Garrett was making, correct ?
WOMAN: Dr. Simmons, here are the reports you requested.
SIMMONS: Thank you... It's the analysis from the subjects.
COULSON: Subjects, plural ?
SIMMONS: We found blood and tissue samples from a secondary source under her nails. She put up a fight. Oh, no. Just as I suspected. She had GH-325 in her blood.
COULSON: A Tahiti patient.
SIMMONS: Whoever killed her also had GH-325 in their blood.
SKYE: Don't look at me. I didn't do it.
SIMMONS: No, of course, but you both had GH-325 injections. Hypergraphia was one of the side effects they tried to treat with memory replacement. Garrett suffered from it. Apparently, so does our killer, and they both turned into dangerous psychopaths. Have either of you been experiencing a compulsion to write or carve ?
COULSON: We're fine. But somewhere out there is a Tahiti patient who may be targeting all the others. We need to find him.

Later, in a hallway.

SIMMONS: The patient files were all destroyed. How would anyone be able to locate them ?
COULSON: I don't know.
SKYE: How many Tahiti patients were there ?
COULSON: I don't know.
SIMMONS: Do you think the killer will come after the two of you ?
COULSON: I don't know.
SKYE: If you don't know anything, then how are we gonna find them ?
COULSON: You're gonna have to torture it out of me.

Later, Simmons branch Coulson to the machine.

COULSON: Is all this really necessary ?
SIMMONS: If you're going to insist on doing this, I'm going to be monitoring you very closely. It took me and Fitz six weeks to figure out how to operate this, and quite honestly, I never thought we'd have to use it.
SKYE: We should have destroyed it. In the history of bad ideas, this is light-years ahead of everything.
COULSON: No, trying to bring dead agents back to life using alien blood blows everything else away.
SKYE: They buried those memories for a reason, Coulson. They were driving people insane. And now you want to uncover it when you've been getting worse. May would never ...
COULSON: May's not the director. This is my call. I was put in charge of the Tahiti project, so those people are my responsibility. If going back in this machine saves even one life, then it's worth the risk.

Mack and Fitz watches the scene in the next room.

MACK: Stealing bodies, talking about aliens, and bringing the dead back to life. What kind of creature feature did I sign up for ?
FITZ: Coulson lost his ...
MACK: Marbles ? Mind ?
FITZ: No, memories. The machine helps him find them.
SKYE: Mack, I need you close just in case.
MACK: In case...?
SKYE: In case he starts screaming and you need to hold him down.

Everything is ready.

SKYE: Okay, try to stay relaxed. Listen to my voice. I'll guide you through, but at the first sign of any duress, I'm pulling you out.
COULSON: No, not until we have everything we need to find this guy.
SIMMONS: All systems are go.
SKYE: Concentrate on Agent Stevens. She's your access point. Focus on her. All right. Take him back.

Simmons turns on the machine. Coulson in flashes then he finds himself in a room.

SKYE: What do you see ? Where are you ?
COULSON: The guest house... in the interview room.
SKYE: D-Do you recognize anyone ?
COULSON: I'm alone.
SKYE: Concentrate on Agent Stevens.

He looks at the file in front of him and when he looks up she is in front of him.

COULSON: How do you feel today ?
STEVENS: Terrific. I've never felt better.
COULSON: Do you remember how you got here ?
STEVENS: I volunteered. I was dying, and... when I woke up, everything was okay.
COULSON: She's here. She's doing well.
SKYE: And the others ? How many are there ?
MAN 1: Thank you, Agent Coulson, for all your help.
MAN 2: I'm ready to get back in the field.
MAN 3: I-I can't believe this actually worked.
WOMAN: I feel great. It's a new day.
MAN 4: How long are you keeping me here ?
COULSON: Six patients, well-adjusted. I'm recommending immediate release.
SIMMONS: His heart rate is spiking.
SKYE: What's happening, Coulson ?
COULSON: I see the writing... for the first time. Something's happening to them.

Patients become crazy…

MAN 4: How long are you gonna keep me here with these lunatics, Coulson ?
SIMMONS: Vital signs elevating.
SKYE: Tell me what's going on, Coulson.
COULSON: Degenerative effects. They're unstable. They're getting worse every day. They're getting worse every day. We're losing them. We need to shut down the program.
DOCTOR: This isn't a failure, Agent Coulson. It's a first step. We rejuvenated life.
COUSLON: This isn't life. We need to shut it down and destroy the host.
DOCTOR: You can't do that ! It's thousands of years old, pre-dating the pyramids ! We haven't even scratched the surface of the benefits.
COULSON: These are human beings, not lab rats ! I'm contacting Fury.
DOCTOR: There's still hope for them. The host's genetic material may be implanting its own genetic memories onto theirs, creating the psychic schism. If we were to completely wipe away all their memories ...
COULSON: Erase their minds ? That's hope ? We can give them new memories, new identities. They'll never be agents again, but they'll be able to lead normal, healthy lives.

We see doctors clear the memoir of patients…

PATIENTS: Let me die ! No, stop ! Please ! No ! Please, will you make it stop ? Please, make it stop ! Aah ! Please, somebody ! Somebody stop it ! Stop doing this, please !
COULSON: What have we done ? What have we done ? What have we done ?
SKYE: What did you do ? Tell me.
COULSON: We erased them, all of them. New names, new memories ... it was the only way.
SKYE: You did the right thing. Can you find their new names ?
FITZ: Uh, how much more can he take ?
SIMMONS: I don't know.
MACK: Whatever you're doing to him, you need to stop !
SKYE: Coulson, we need their names. Find their names so we can pull you out !
COULSON: Lewis Seaver.
SKYE: That's one. That ... That's one. That's ... K-keep them coming. Keep them coming.

BOSTON, MASSACHUSETTS

Ward enters an Irish pub. Hunter monitor him.

HUNTER: Looks like the big, bad wolf is stopping for a pint.

Inside…

BARMAN: I'll give you a choice. Colombian necktie... or bullet in the head.
WARD: Bullet in the head... on the rocks.

He serves Ward.

BARMAN: On the house. Welcome back.

Outside, Bakshi is his men arrive.

HUNTER: Hello… May, we have a problem.

Inside..

BAKSHI: Grant Ward. In from the cold at last. Mr. Garrett spoke quite highly of you.

They shake hands. A little after…

BASKHI: Imagine my surprise when I received your call. I wasn't even aware that phone was active ... or you, for that matter. We thought you were dead.
WARD: Not dead. Waiting. I was locked in a cage. Before that, I was trapped behind a S.H.I.E.L.D. badge. Now I'm finally free.
BAKSHI: How can we help you ?
WARD: Since strucker is overseas, I assume you report to someone else.
BAKSHI: That's correct.
WARD: I want a meeting.
BAKSHI: Though we do appreciate your talents and your loyalty, Mr. Whitehall is a very busy man.
WARD: Will his schedule open up if I can get you face-to-face with Coulson ? Close enough to put... a bullet in his head.

SHIELD’S BUS

MAY: Skye ? Coulson ? Anyone.
TRIPLETT: When the cat's away...
MAY: Keep trying to reach them. I'm taking us down.

PLAYGROUND’S LAB

SKYE: The body of Lewis Seaver was found in the remains of the Santa Maria church fire in Miami
COULSON: In the fire was this guy too.
SKYE: Three of the others died of unnatural causes in the last six weeks. This guy is definitely targeting Tahiti patients.
COULSON: Is there still a chance ?
SKYE: Two of them are alive. We need to find out which one is the killer. Do you remember anything, a-any clues ?
MAN 4: Stay out of my head, Coulson. There's nothing wrong with me.
COULSON: Roll up your sleeves.
MAN 4: You don't need to erase me.

Coulson motioned to the guards happens and identify the human races. He has burn marks on the carry handle.

MAN 4: There's nothing wrong with me.
COULSON: You're not okay, and it's only gonna get worse. But I can help you.
MAN 4: No ! It's the only way to know ! You ... you can't erase me, Coulson ! Don't do this to me, Coulson ! I need to know! I need to know ! No ! You can't erase me ! I need to know what it means ! It wants me to know ! I need to know ! It wants me to know ! I need to know ! I need to know ! I need to know ! No ! No ! I need to know ! I need to know !
MACK: Get him the hell out of there !
SKYE: Shut it down ! Shut it down !
COULSON: I need to know !
SKYE: Sedate him ! I'm calling May.

Trip receives the call.

TRIPLETT: I ... I got Skye. Skye ? We have a Ward situation that's about to get really bad for all of us.
SKYE: Coulson went into the memory machine.
MAY: What ? And you let him.
SKYE: It wasn't my call.
MAY: Lock him up and keep him under observation until I get back.
TRIPLETT: What the hell is going on ?
MAY: Let's just stay focused.

Skye hangs up.

COULSON: I need to know. I need to know !
MACK: What did you do to him ?
SIMMONS: Just hold him down.

Coulson becomes aggressive and pushes Simmons.

SKYE: Coulson ! Don't make me use this.
COULSON: I'm sorry.
SKYE: I spoke to May. She wants us to lock you up until she gets back.
COULSON: I think that's a good idea.

They go to the cell where Ward was retained.

COULSON: His name was Sebastian Derik. He was an assassin from the dark side of S.H.I.E.L.D. How many others did you say are still alive ?
SKYE: Just one ... Hank Thompson. He only lives a few hours away from here, so I'll send some agents to protect him.
COULSON: That won't be necessary.

He grows Skye in the cell and close it.

SKYE: Coulson ...
COULSON: Sorry. I need to take care of him personally.
SKYE: Coulson, you've got ...

He cuts the microphones and leaves.

THOMPSON’S HOUSE

Hank is in his studio with his son.

THOMPSON: Hey, you want to slow down that train, buddy ? You want to see them crash, don't you ? I fear for the world the day you get your driver's license.

His wife arrives.

WOMAN: Hank, there's someone up at the house that wants to see you.
THOMPSON: Is it a customer ?
WOMAN: Says he's an old friend ?
THOMPSON: Okay, I'll be right there.

PLAYGROUND

Mack and Fitz play video games.

MACK: I've seen some messed-up stuff in my day, turbo, but nothing quite like that. Holding down the director like he's possessed...
FITZ: Yeah, well, what happened ... that's not... wasn't his fault.
MACK: I know. Someone jumbled his memories.
FITZ: No, his memories weren't jumbled. They were... replaced. Just some of them.
MACK: You're up.
FITZ: No, I'm okay.
MACK: Nah, come on. It's good for you. Helps your brain and hands learn to get their act together. Replaced memories, jumbled memories ... how the hell is he supposed to keep everything together ? What if he forgets what team he's on? You know, I like my bosses un-jumbled at all times.
FITZ: Yeah, he is, or he will be. He'll recover. He did before. Besides, brains never delete files. They just lose connections. But there's always a backup. Just a matter of digging and finding them.
MACK: So, you've got backup files, too ?
SIMMONS: Has anyone seen Skye ?

She looks at the monitoring screens.

SIMMONS: Oh, no. Guys ... quick.

Simmons comes running. Skye speak to her but she does not hear. She disables the cell.

SKYE: ... you been ? It's about time ?
MACK: Coulson did this to you ?
SKYE: You think ?
SIMMONS: Is he going after the killer ?
SKYE: Not the killer.

THOMPSON’S HOUSE

Coulson knocks at the door.

THOMPSON: Can I help you ?
COULSON: My name is Phil Coulson. You don't remember me, but we've met. It's very important that we talk.
THOMPSON: This isn't a good time.
COULSON: You need to listen to me.
THOMPSON: Look, I have no idea who you are or what you want, but you need to leave.
COULSON: Mr. Thompson... Please.
THOMPSON: Look. Okay, you have something to say, you can say it out here.
COULSON: I have every reason to believe that your life is in danger. Is your family home ?
THOMPSON: No.
COULSON: That's good...

He pulls out his gun.

COULSON: … because I need to pick your brain.

BOSTON, MASSACHUSETTS

May, Bobbi Hunter and Trip are in the van outside the pub.

HUNTER: No one's been in or out since the party started.
TRIPLETT: You're sure no one saw you ?
HUNTER: I didn't blow my cover.
BOBBI: You suggesting I did ?
HUNTER: It's okay, it happens. What did you do, come on too strong ? Subtlety is key.
BOBBI: You were dressed like a cowboy.
HUNTER: I ...
MAY: Enough.
TRIPLETT: There's a good chance Ward's wearing his ka-boom box. If we can't get a fast, clean shot, he could take the whole building down with us inside.
BOBBI: We don't have the resources for this. We should call in outside reinforcements.
MAY: No, if Ward saw them coming, he'd take them all down with him.
HUNTER: So, what's the plan ?
MAY: Get a fast, clean shot.

THOMPSON’S HOUSE

COULSON: I don't want to hurt you, but you need to listen to me. You were an agent of S.H.I.E.L.D.
THOMPSON: Please, just go.
COULSON: Do you recognize these symbols ?
THOMPSON: No, no, I don't. Look, is that all you need ?
COULSON: Think. Have you been drawing, carving, painting, anything that reminds you of these ?
THOMPSON: I have never seen them in my life.
COULSON: Look at them ! Try to remember. I need to know what this means. You have pieces that I need !
THOMPSON: I don't know what you're talking about, and I don't care. Look, I've told you both, you've got the wrong guy !
COULSON: Both ? Someone got here before me ?

Derik knocks Coulson.

BOSTON, MASSACHUSETTS

The team enters the pub. The bartender and two men died. Ward and Bakshi were gone. They go into the reserve and find a man tied to a chair with a bag over his head. May remove the bag. This is Bakshi.

BOBBI: Is he dead ?

May gives him a kick. Bakshi looks up. On his gag he wrote there "for Coulson".

THOMPSON’S HOUSE

In the workshop, Derik shows a knife to Thompson’s wife and son.

DERIK: I'd be very quiet if I were you.

He locks them. Thompson is tied to a beam and Coulson, suspended.

DERIK: Agent Coulson, I've got bad news. The lunatics are running the Asylum. Do you remember me, Coulson ? Do you remember what you did to me ?
COULSON: I tried to help you.
DERIK: What, by erasing my memories, trying to change who I was ? It was the only way to save you. It didn't work. You want to know why ? Because I discovered a little secret. Pain made me remember.

He cut Coulson. Thompson began to undo his bonds.

DERIK: I found out after I started cutting myself. The more pain, the more I remembered. That's how I found the others you erased. I remembered who they were and who they became.

He cut Coulson again.

DERIK: I came for you first, Coulson, but you were already dead. Yet here you are. Why is that ? Are you one of us now ? Why ? Why would you do that... when you know what it does ?
COULSON: I didn't.
DERIK: I think it's because... you wanted to know the answer to this. Look, I tried to help the others remember. I cut and I cut, but no one had the answer. I need to know, Coulson. What does it mean ?
COULSON: I don't know. I'm trying to find out, just like you.
DERIK: Do they drive you crazy ?
COULSON: Yes.
DERIK: I started carving on walls. Is that how you started ?
COULSON: Yes.
DERIK: It's not deep enough. You can't just scratch the surface, Coulson. We have to dig deep. That's why I started carving bodies. It has to be deep.

Coulson sees the model of Thompson and recognizes the engravings.

COULSON: It's not two-dimensional.
DERIK: No. The answer isn't on the surface. It's what lies beneath.

Thompson cut his ties.

COULSON: We can find it... together.
DERIK: That's the idea.
COULSON: No. No.

He begins to cut the bust. Thompson will look for his family.

DERIK: What does it mean, Coulson ?
COULSON: I don't know.

Thompson makes noise. Derik throws his knife and Thompson caught him then throws the rope that holds Coulson.

COULSON: Take your family ! Go ! Come on. Go. Go !

Coulson and Derik fight.
Mack and Skye are on the way.

MACK: What the hell is Tahiti ?
SKYE: Uh, Tahiti was designed to revive a fallen Avenger. That's how it got started.
MACK: Uh, Captain America, Iron Man ... those Avengers ?
SKYE: Those are the ones.
MACK: How the hell could Coulson forget that ? What, does he have alien blood, too ? Man, can you imagine that ... S.H.I.E.L.D. being run by a man that's part alien ?
SKYE: Yeah, imagine that.

Thompson is on the road.

THOMPSON: Stop ! Hey !
MACK: What the...
THOMPSON: C-Call the police. There's two guys trying to kill each other. They're out at my place, Thompson Welding. It's right down the road.
MACK: All right, stay here. We'll handle this.
THOMPSON: Okay.

Back with Coulson and Derik…

COULSON: You want pain ? Come and get some.
DERIK: You can't hide, Coulson. We're connected by the blood.

They fight again.

COULSON: The answer's right here, Derik. All you have to do is look !
MACK: Let him go, Coulson !
COULSON: It's okay! I'm okay now.
SKYE: That's what you said before you threw me in a cell.
COULSON: Fair enough, but I'm not trying to kill him !
MACK: I'm trying to save him. I'm giving you to the count of three, and my gun's real.
COULSON: It's here, Skye ... everything we've been looking for.
MACK: One !
SKYE: He's not kidding! Let him go.
COULSON: Open your eyes, Derik.
AMCK: Two !
COULSON: It's just below the surface, like you said. All you have to do is look.
MACK: Three !

Coulson release Derik. Derik looks down.

COULSON: You can put the guns away. He won't hurt anyone now.
SKYE: How do you know that ?
COULSON: He found what he's been looking for... what we've all been looking for. The final piece.
SKYE: I don't believe it.
COULSON: It's not so much a map as a blueprint. It's a city.

COULSON’S OFFICE

THOMPSON: So, I was some kind of super-spy ?
COULSON: One of the best. We could use you. The whole story's right here ... what you were, who you were.
THOMPSON: I know who I am. I'm Hank Thompson. I've got a wife I love, a kid I adore, and every day, I wake up happy. I can't imagine I was happy being a spy. Um, no offense.
COULSON: None taken.
THOMPSON: Thank you, Mr. Coulson. Thank you for... giving me a second chance, making me who I am.
COULSON: You're a good man, Mr. Thompson. You always were. These agents will take you home now. Sorry about the blindfold.
THOMPSON: I understand. Spy stuff. Oh, uh, if you, uh... if you ever need any welding, you know where to find me.
COULSON: Thanks.

Thompson goes.

COULSON: Sebastian Derik has been turned over to the authorities. He had sins to atone for long before Tahiti ever happened. But... at least he found his peace.
MAY: And you ?
COULSON: The compulsion's gone.
MAY: How can you be sure ?
COULSON: I can feel it. Whatever's in our blood, it was driving us to go to that city, like homing pigeons, only we couldn't figure out what home was, so it was just driving us mad. Once I had all the pieces... now we just need to figure out why this alien was so hell-bent on getting there.
SKYE: Any news on Ward ?
COULSON: We'll find him. In the meantime... we'll take advantage of his gift, Mr. Bakshi. Here's his cellphone. See what you can find inside. All right. Let's get this over with.

Later, all the team met.

COULSON: To answer the question on everyone's mind, no, I'm not crazy. I know in the past few months, it may have seemed like I was leading you on some fool's errand, chasing after strange carvings and artifacts. At times, I questioned it myself... wondering if I was chasing windmills, trying to solve some unsolvable puzzle. But the pieces are coming together. The puzzle's taking shape. The bad news ... HYDRA's trying to solve the same puzzle, and they have more resources. The good news ... we now have a piece they don't have.

He shows a 3D reconstruction of the city.

COULSON: Everything we've been doing, it all... leads here. Our job ... find it before anyone else.

END

 

UNKNOWN LOCATION

Ward is in a bathroom. He puts the music is shaves his head and beard.
In
SHIELD, Skye listening to the same music ...

SKYE: All right, Mr. Bakshi, I hope you weren't into selfies, or this could be embarrassing for both of us.

Bakshi phone rings. She answers.

SKYE: Hail HYDRA.
WARD: Hey, Skye.
SKYE: Where are you ?
WARD: Just wanted to make sure you got my present. I promised him a face-to-face with Coulson. Probably not exactly what he had in mind. I'll be sending a few other gifts your way now and then.
SKYE: Like a cat bringing in dead birds ? No, thanks.
WARD: Just trying to be helpful. Oh, met the new recruits. I don't think they need to hang around much longer.
SKYE: Is that a threat ?
WARD: Just a suggestion. Coulson could do better. Then again... I am hard to replace.
SKYE: How about you tell me where you are and we can talk about it ?
WARD: I have to go now, Skye. I have a few personal matters to attend to. But I'll be seeing you soon. I promise.

He hangs up and looks at a newspaper. Her brother is the front page. He puts it in her bag and closes it…

 

Ecrit par Albi2302.

Kikavu ?

Au total, 96 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

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